{"id":2198,"date":"2023-05-04T15:23:26","date_gmt":"2023-05-04T13:23:26","guid":{"rendered":"http:\/\/www.mustafasaid.co\/?p=2198"},"modified":"2023-05-04T16:17:14","modified_gmt":"2023-05-04T14:17:14","slug":"the-burda","status":"publish","type":"post","link":"http:\/\/www.mustafasaid.co\/the-burda","title":{"rendered":"THE BURDA: REWEAVING THE MANTLE, RENOVATING ARAB MUSIC TRADITION BETWEEN EGYPT AND THE ARAB LEVANT"},"content":{"rendered":"

 <\/p>\n

MARIA M. RIJO LOPES DA CUNHA<\/strong><\/h1>\n

 <\/p>\n

Abstract<\/strong>
\nThis article critically considers how the musical piece, \u201cAl-Burda,\u201d has introduced ground-breaking
\nformal and rhythmic innovations within Arab contemporary traditional music. I explore the
\ncentrality of Mustafa Said\u2019s musical adaptation of Arabic prosody in generating new rhythmic
\nmodes whilst highlighting Said\u2019s claims of continuity with an Arab literary and musical tradition
\nthrough the musical adaptation of the poetics of mu\u2019arada, which means building upon pre-existing
\nmodels. This article draws upon postcolonial theory as a fundamental tool of analysis for the
\nunderpinning socio-political commentary present at every stage of creation and production of
\n\u201cAl-Burda.\u201d<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

 <\/p>\n

To Read the Full Article:<\/p>\n

The Burda: Reweaving the Mantle, Renovating Arab Music Tradition between Egypt and the Arab Levant | Yearbook for Traditional Music | Cambridge Core<\/a><\/p>\n

 <\/p>\n

Listen to the full BURDAH:<\/p>\n

Burdah, Contemporary Arabic Maqam Suite \u0628\u0631\u062f\u0629\u060c \u0648\u0635\u0644\u0629 \u0645\u0646 \u0627\u0644\u0645\u0642\u0627\u0645 \u0627\u0644\u0639\u0631\u0628\u064a\u0651 \u0627\u0644\u0645\u0639\u0627\u0635\u0631 | Mustafa Said \u0645\u0635\u0637\u0641\u0649 \u0633\u0639\u064a\u062f (bandcamp.com)<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  MARIA M. RIJO LOPES DA CUNHA   Abstract This article critically considers how the musical piece, \u201cAl-Burda,\u201d has introduced ground-breaking formal and rhythmic innovations within Arab contemporary traditional music. I explore the centrality of Mustafa Said\u2019s musical adaptation of Arabic prosody in generating new rhythmic modes whilst highlighting Said\u2019s claims of continuity with an […]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[36],"tags":[],"yoast_head":"\nTHE BURDA: REWEAVING THE MANTLE, RENOVATING ARAB MUSIC TRADITION BETWEEN EGYPT AND THE ARAB LEVANT - Mustafa Said<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.mustafasaid.co\/the-burda\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE BURDA: REWEAVING THE MANTLE, RENOVATING ARAB MUSIC TRADITION BETWEEN EGYPT AND THE ARAB LEVANT - Mustafa Said\" \/>\n<meta property=\"og:description\" content=\"  MARIA M. RIJO LOPES DA CUNHA   Abstract This article critically considers how the musical piece, \u201cAl-Burda,\u201d has introduced ground-breaking formal and rhythmic innovations within Arab contemporary traditional music. 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